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Jewels of the Renaissance, by Yvonne Hackenbroch
PDF Download Jewels of the Renaissance, by Yvonne Hackenbroch
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Renaissance jewels are among the most alluring manifestations of an age that experienced the widening of horizons, from the Old World to the New. This spectacular volume overflows with luxurious imagery expressing the boundless creativity and spirit of the Age of the Renaissance. Bringing to the subject not only her specialized knowledge and historical discipline, author Yvonne Hackenbroch also displays a storyteller’s passion in relating the tales of the jewels, the artists, and the patrons who commissioned them.
- Sales Rank: #462295 in Books
- Published on: 2015-10-06
- Original language: English
- Number of items: 1
- Dimensions: 13.80" h x 2.00" w x 11.00" l, .0 pounds
- Binding: Hardcover
- 200 pages
About the Author
Yvonne Hackenbroch (1912-2012) was born in Frankfurt, Germany; she studied art history at the University of Munich, earning a doctorate in 1936. During and after the war she worked partly at the British Museum, and was part of the team that catalogued the Sutton Hoo treasure. In 1949 the Metropolitan Museum of Art in New York invited her to become a curator specializing in Renaissance art. Her book Renaissance Jewellery, published in 1979, is considered the seminal work on the subject, extending her worldwide reputation as the leading expert in this field. Gonzague Saint Bris is a French writer, historian, journalist, and radio and television broadcaster who resides in his family chateau, Clos Luce at Amboise, where Leonardo da Vinci lived and died. Creator of events such as the Cabourg Romantic Film Festival in Normandy and the Forest of Books, a literature festival in the Loire Valley, Saint Bris has been awarded Chevalier of the Legion of Honor and Commander of Arts and Letters. His recent books include Louis XIV et le grand siecle (2012), Francois Ier et la Renaissance (2008), and Sur les pas de Leonard de Vinci (2006).
Most helpful customer reviews
8 of 9 people found the following review helpful.
Jewelry is great, but book is not
By Trompe
I received this as a gift and I was really looking forward to getting it. I figured; Assouline quality and gorgeous jewelry and history, what can go wrong? Well, a lot. First the book is fattened up with filler. Lots of blow-ups not really relevant to renaissance jewelry and reproductions of paintings/portraits that are so dark and granular like they were blown up from a reproduction.
Overall, the quality is not up to Assouline's normal standards for deluxe art books. And their full retail is ridiculous for something this sub-par.
5 of 6 people found the following review helpful.
I am very disappointed in this book
By Joanna Roberts
I am very disappointed in this book.A high price means nothing.
REALLY heavy.could break your coffee table !
The pictures,oh the pictures...........TERRIBLE.I was hoping for the quality print job like "Tachen" books,but the colors are flat,and some look almost re-touched in PhotoShop.I have several quality art books,and was hoping to add this one but it's going back,and I have never returned a book in my life
I really didn't get into the text at all.I would hope that would be better,But for $100.00,and some serous frustration,I'm not going to get into it
2 of 2 people found the following review helpful.
SUCH A FIASCO!
By Judith V
As an antique jewelry lover, I feel that the authors' photographs of jewelry pieces by themselves are outstanding. However, what the authors have done to the figures and clothing that they are wearing in paintings from the time period is, in my opinion, appalling. They have distorted the artwork to such an extent that the faces look as if they are cartoons and the clothing bears no resemblance to the splendor or design of the original materials. Making these figures caricatures of what is in the originals is a DISTRACTION from the jewelry they are wearing, NOT a necessary enhancement of said jewelry.
I would have been extremely thrilled with the knowledge and beauty displayed in this volume IF the authors had only let the paintings speak for themselves.
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