Selasa, 24 Desember 2013

[E292.Ebook] PDF Download The Iliad of Homer a Parsed Interlinear Text, Book 22 (The Iliad of Homer a Parsed Interlinear Text In 24 Books), by John Jackson

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The Iliad of Homer a Parsed Interlinear Text, Book 22 (The Iliad of Homer a Parsed Interlinear Text In 24 Books), by John Jackson



The Iliad of Homer a Parsed Interlinear Text, Book 22 (The Iliad of Homer a Parsed Interlinear Text In 24 Books), by John Jackson

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The Iliad of Homer a Parsed Interlinear Text is presented in its entirety together with morphological tags, lemmas, and English glosses. This presentation lays bare the text for Greek students and scholars who wish to ascertain the details and nuances of language in the original form. This interlinear text was produced to facilitate the study of Homeric Greek at once serving both inductive and deductive language learning methodologies. It opens to the reader a portal exposing a living grammar and providing an excellent platform for comprehensive study. The Iliad of Homer a Parsed Interlinear Text is based on the following:
Greek: Monro, D. B. and Allen, T. W. (1920): Homer, Iliad, books 1-24,
Oxford English translation (the text has been verse aligned to the Greek): Murray, A.T. (1924). The Iliad with an English Translation, London

  • Sales Rank: #1795532 in eBooks
  • Published on: 2008-07-11
  • Released on: 2008-07-11
  • Format: Kindle eBook

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[B202.Ebook] Ebook Henri Cartier-Bresson. L'esposizione. Catalogo della mostra (Roma, 26 settembre 2014-25 gennaio 2015). Ediz. italiana e ingleseFrom Cont

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  • Sales Rank: #7709173 in Books
  • Original language: Multilingual
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Senin, 16 Desember 2013

[R141.Ebook] PDF Download Inquebrantable: Mi Historia, A Mi Manera (Atria Espanol) (Spanish Edition), by Jenni Rivera

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Inquebrantable: Mi Historia, A Mi Manera (Atria Espanol) (Spanish Edition), by Jenni Rivera

La única autobiografía autorizada de Jenni Rivera.

"No puedo dejarme atrapar en lo negativo porque eso me destruye. Tal vez lo mejor que puedo hacer es tratar de alejarme de mis problemas y concentrarme en lo positivo. Soy una mujer como cualquier otra y me ocurren cosas feas como a cualquier otra mujer. El número de veces que me he caído es igual al número de veces que me he levantado."

Estas son las últimas palabras que la admirada cantante mexicanoamericana Jenni Rivera pronunció públicamente antes de subir al avión que al colapsar interrumpió su vida el 9 de diciembre de 2012. Sin embargo, esas no fueron las palabras finales que La Diva de la Banda tenía para el mundo. Esas se encuentran en las páginas que usted tiene en la mano, la propia narración de Jenni sobre las altas y bajas de su extraordinaria e inspiradora jornada.

Jenni se convirtió en la más aclamada cantante en español en Estados Unidos y vendió más de 15 millones de discos por todo el mundo. Era una madre soltera con cinco hijos y abuela de dos nietas, además de ser también actriz, productora de televisión, estrella de su propio programa de telerrealidad y empresaria.

En Inquebrantable, Jenni, con la honestidad que la caracterizaba, relata los momentos cruciales en su pasado y revela sus experiencias de violencia doméstica y abuso sexual, divorcio y problemas de imagen corporal, así como la manera en que logró avanzar en una industria dominada por hombres mientras criaba a sus hijos como madre soltera.

Aunque ya no está con nosotros, Jenni siempre será la "rebelde Rivera de Long Beach", la chica que mantuvo su sentido del humor y su espíritu luchador en toda circunstancia. En este extraordinario libro, Jenni deja detrás un legado de inspiración y determinación que vivirá para siempre a través de su preciada familia, sus amigos y sus admiradores. En ese sentido, Jenni Rivera es verdaderamente Inquebrantable.

  • Sales Rank: #56733 in Books
  • Brand: Atria Books
  • Published on: 2013-07-02
  • Released on: 2013-07-02
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.37" h x .80" w x 5.50" l, .60 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Atria Books

About the Author
Winner of fifteen gold records, fifteen platinum records, and five double platinum records, with more than fifteen million records sold in all, Jenni Rivera (1969 – 2012) was one of her or any generation’s most popular and in-demand artists, not only in Mexico but also in the United States, selling out performances at such prestigious venues as the Staples Center, the Kodak Theatre, the Nokia Theatre, the Gibson Amphitheatre. In Mexico, she held a sellout performance at the Auditorio Nacional and performed a concert for 80,000 people in Querétaro. Jenni was also one of the decade’s most award-winning artists. In 2009, she earned a record-breaking eleven Billboard Award nominations, becoming the first female regional Mexican performer to be so honored. 

Excerpt. © Reprinted by permission. All rights reserved.
Inquebrantable 1 ¿No eres tú la vieja de El Cinco?
Ahora estoy, entre luces hermosas,

mas cuando estaba sola,

sé que Dios me cuidó.

—De «Mariposa de Barrio»

Domingo 26 de enero de 1997.

La noche comenzó en El Farallon, un club popular en Lynwood, una ciudad en el condado de Los Ángeles, California. El Farallon es donde uno va a pasar el rato con sus amigos y a perderse en la música, olvidándose de todo por unas pocas horas. Ahí fue donde conocí a Juan López, mi segundo marido, después de que nuestras miradas se cruzaron en la pista de baile. Lo más importante es que El Farallon era donde muchos cantantes del género regional mexicano iniciaron sus carreras. Y fue donde decidí grabar el primer video musical de mi canción «La chacalosa».

Mi padre tenía una relación de negocios con Emilio Franco, el dueño de El Farallon. Franco nos dio permiso de grabar el video en el club antes de que las puertas se abrieran a las 9:00 pm. Mi padre, conocido por muchos como Don Pedro Rivera, era uno de los productores más reconocidos de música regional mexicana. Siempre había sido mi más grande apoyo, especialmente en esos tiempos cuando yo estaba luchando para darme a conocer. Él tenía planes de comprar tiempo comercial en radio y televisión para este video y promover «La chacalosa».

En ese entonces todavía no ganaba mucho dinero con mi música. No querían tocar mis canciones en la radio porque me negaba a ser la típica cantante latina. Debería haber sido más joven, más delgada, más calladita, más tranquila, más tonta. En la comunidad latina, las cantantes femeninas tenían que ser hermosas y flacas, y su música sin sentido. Las cantantes latinas eran vistas, no escuchadas. Pero yo no era una belleza. Decían que era gorda y que no podía cantar. Cantaba corridos pesados, ¡con ovarios!, y creo que esto intimidaba a los hombres. No había ninguna otra mujer cantando corridos. ¡Era lo mismo a una mujer rapeando! Decían que las mujeres no éramos lo suficientemente fuertes o auténticas para cantar sobre el mundo peligroso de los narcotraficantes. La gente en la industria trató de hacerme cambiar. «Si quieres tener éxito en este género», me dijeron, «tienes que hacer esto y lo otro». Un montón de mujeres se dejaban coger para que su música fuera tocada en la radio. ¡A la chingada con eso! Yo no lo haría. Quería triunfar a base de mi talento o no triunfar en absoluto.

En el tiempo en que estuvimos grabando el video de «La Chacalosa», yo trabajaba como agente de bienes raíces para mantener a mis tres hijos y a mí. La música era algo secundario. Juan López, el hombre con el que más tarde me casé, estaba cumpliendo una pena de prisión de siete meses después de ser acusado de contrabando de inmigrantes. Lo iban a dejar libre en tres semanas. Ya que yo no quería ir sola, mi hermana Rosie y su amiga Gladyz me acompañaban cuando salía por la noche a algún concierto de música. Esa noche se sentaron en el club, que estaba casi vacío, viéndome hacer varias tomas de la canción. Pensé que íbamos a terminar a las nueve, pero acabamos de grabar hacia las nueve y media. Los clientes empezaban a llegar a la barra. Antes de irnos pasé al baño. En cuanto salí de ahí, un hombre me agarró del brazo derecho para que le prestara atención.

—¿No eres tú la vieja de El Cinco? —dijo. El Cinco era el apodo de Juan. Hacia hoy en día aún puedo recordar claramente haber mirado los ojos verdes de ese güey mientras me jaloneaba del brazo. Me estaba haciendo encabronar y lo sabía.

—¡Déjame en paz, cabrón! —le dije mientras me alejaba, preguntándome cómo era que él conocía a Juan y por qué le importaba si yo era su mujer.

Recogí mis cosas y salí del club con Rosie y Gladyz. Tenía un poco de prisa ya que ellas estaban en la prepa y era entre semana. Quería llevarlas a casa lo más pronto posible para evitar problemas y para que siguieran dejándolas salir conmigo. Yo tenía pocos amigos, sobre todo porque Juan los asustaba con su pinche mal humor y sus majaderías. Ahora que estaba en la cárcel, yo andaba sola. Pasar el rato con las muchachas era divertido y me ayudaba a distraerme hasta que lo dejaron salir del bote.

Primero dejé a Gladyz en su casa en la avenida Walnut en la ciudad de North Long Beach y luego dejé a Rosie en casa de nuestros padres en Ellis Street, a pocas cuadras de distancia. Eran las 10:30 pm, así que nos salvamos del regaño. Una vez que me aseguré de que Rosie hubiera entrado, le subí el volumen a la música y me dirigí a casa. Yo vivía en la hermosa —y adornada de pandillas—ciudad de Compton. Como trabajaba de agente de bienes raíces, había invertido en una casa allí y decidí vivir en ella por un tiempo. No era el mejor barrio, pero yo estaba feliz de tener mi propio hogar. Ya me andaba por llegar a mi cama esa noche. Estaba cantando con mi cassette favorito, 15 Éxitos de Marisela, mientras conducía por la autopista 91 oeste.

Cuando volteé a la derecha en la avenida Central, el carro detrás de mí me echó las luces. Mientras más se acercaba yo reducía la velocidad para ver si sabía quién era. No reconocía el pequeño carro deportivo de color blanco y no lograba ver quién manejaba. El conductor encendió sus luces otra vez. ¿Qué chingados? ¿Acaso estaba manejando demasiado lento? ¿O se me había olvidado poner la pinche señal? De repente, el carro aceleró al lado de mi Ford Explorer verde, con la clara intención de sacarme de la carretera. Fue entonces cuando me di cuenta de que no sólo una, sino tres personas estaban en el carro, y empecé a asustarme. Aceleré, con la esperanza de que sólo me estuvieran vacilando. No lo estaban, manejaban detrás de mí y luego aceleraban y trataban de sacarme del carril para que me estrellara contra los carros estacionados en la avenida Central. «¡Chingado! ¿Qué voy a hacer ahora?», me dije.

Me acercaba a mi casa en la avenida Keene y no quería que ellos supieran dónde vivía. Ya que Juan estaba preso, yo estaba sola con mis tres niños. Nuestra casa había sido robada apenas dos meses antes y se habían llevado todo. Así fue como los vecinos se dieron cuenta de que mi pinche hombre estaba en la cárcel y no estaba ahí para protegernos. Todo esto pasaba por mi mente mientras daba vueltas a la cuadra, rogando que esos güeyes desaparecieran mágicamente. Todo mi cuerpo estaba temblando. Por último, me detuve cerca de mi casa, aunque no frente a ella. «A lo mejor ya se largan», me decía a mí misma. ¡Qué mensa!

El carro se detuvo detrás de mí y pude ver que los hombres estaban listos para salir. No supe qué hacer y el miedo se apoderó de mí. Decidí que iba a huir. Me echaría a correr lo más rápido que pudiera, así como mis hermanos me enseñaron cuando éramos niños y jugábamos al beisbol.

Abrí la puerta del carro y me eché a correr con mis zapatos de tacón alto, gritando a todo pulmón. No miré hacia atrás. Podía oír sus botas corriendo detrás de mí. Corrí, grité más fuerte. Lloré. Oré para que alguien me escuchara. Si lo hicieron, nadie vino a mi rescate. Sus pasos casi estaban sobre mí. Mis tacones no me dejaban correr. De repente, sentí brazos fuertes agarrándome. ¡Me habían atrapado! Traté de luchar. Les di una patada y grité. No me iba a dejar así de fácil. Yo era la perra brava de Long Beach, la Rivera rebelde que nunca perdió una pelea.

Pero eran tres contra una. Uno de ellos se había quedado en el carro. Otro me tapó la boca con su mano enorme. El otro me arrastró por las greñas, jalándome por los brazos. Me echaron en el carro. Fue entonces cuando vi esos ojos verdes de nuevo. El mentón prominente. El cabrón del club.

Me violó en el asiento de atrás. Una y otra vez repitió las palabras que le había dicho en el club: «Déjame en paz, cabrón. Déjame en paz, cabrón». Se burlaba de mí en tanto me violaba. Mientras las lágrimas corrían por mi rostro, decidí no luchar más. Pensaba en mis hijos, tenía mucho miedo de que me fueran a matar y se quedaran sin mamá. Tal vez esos güeyes me dejarían vivir si me «comportaba». Sentí cómo poco a poco me estaba dejando vencer. Podía sentir cómo la fuerza abandonaba mi cuerpo y mi mente. Tenía miedo de que fueran a tomar turnos pero en cuanto el hombre terminó, le dijo a su amigo:

—Saca a esta puta de mi carro.

En silencio, al estrellarme contra la acera, le di gracias a Dios cuando me di cuenta de que ya se había acabado esa pesadilla. Pero el daño estaba hecho.

Me senté en el banquete, entumecida. No podía llorar. Me sentí aliviada por el simple hecho de estar viva.

En ese momento juré que nunca le contaría a nadie de esta vergüenza. Dicen que cuando tienes un secreto te come por dentro, pero pensé que era mejor así. Quería parecer fuerte delante de mis hijos y mi familia. No quería que nadie supiera de mi pena, y quería mantener mi identidad como Jenni, la Rivera rebelde que nunca había perdido una pelea. Pero en mis adentros sabía que había perdido un pedazo de mí misma que nunca recuperaría. Mi alma se había roto, pero tenía que hacer frente al mundo como se me había enseñado desde que era una niña: mantuve mi cabeza bien alta y seguí adelante. Era yo, después de todo, una Rivera.

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0 of 0 people found the following review helpful.
¡De lo mejor que he leído!
By Juan Jose Ponce
Una historia conmovedora de principio a fin. Nunca imaginé conocer a través de las páginas de este libro a tan magnánima artista, madre y ser humano. Lloré, reí, me conmoví y sentí una gran admiración por este testimonio. Es hasta ahora de lo mejor que he leído. Jenni fue una mujer valiente y tenaz que tuvo que lidiar y afrontar el abuso sexual de ella, su hija y hermana aunado a la presión mediática y el tener que estar al nivel de imagen y de las grandes expectativas del mercado musical. Fue una madre abnegada, entregada y apasionada por sus hijos. Le tocó abrirse paso en una industria dominada por hombres.

Exhorto a las mujeres que lo lean y se empoderen con su mensaje. Desde hoy, agrego a Jenni Rivera a la lista de personajes que han impactado y dejado un legado imborrable y de ejemplo a seguir en mi vida. La gran señora y diva de la banda, fuerte y tenaz que luchó por sus sueños y los alcanzó hasta sus últimos días. Sufrió mucho, pero también las satisfacciones y alegrías le llovieron efusivamente.

Una diva y gran exponente latina de la música regional mexicana que se subía al escenario y conquistaba con su fuerza y valentía. Ella desnudaba su corazón y dejaba su alma en el escenario, como debe de ser.

Un libro que me cautivó y me dejó con ganas de más. Uno en el que sentías su fuerza, lucha y pasión en cada página, sentimiento y en cada monento que vivías junto a ella. Sentí como si estuviera sentado a su lado, mientras ella personalmente me contaba su historia. Demostró y fue el vivo ejemplo de que las mujeres son libres, independientes, y que pueden triunfar, a pesar de los obstáculos y adversidades.

Gracias Jenni Rivera, fuiste, eres y serás el mejor ejemplo a seguir, la inmortal diva de la banda, que aún después de su muerte, sigue marcando vidas e impactando corazones. Es imprescindible leer tu historia.

Los invito a leerla y aprender de una gran lección de vida a través de este libro.

¡Siempre recordada y nunca olvidada, Gran Señora y Diva de la banda!

1 of 1 people found the following review helpful.
Los hombres su tendón de aquiles
By Inocensio
Decidí leer el libro basado en la ultima entrevista que dio antes de morir. La frase que mas me llamo la atención en esa entrevista fue "no me puedo apendejar". El libro demuestra que no se "apendejo" en ninguna fase de su vida excepto en su selección de hombres como compañeros. Nada la hizo desistir de sus metas, que fueron impresas por sus padres en la niñez. Se apego tanto a los aparentes valores de su familia que esto le causo problemas en su vida adulta. La narración es cruda y sin pelos en la lengua. Es un libro que inspira a nunca darse por vencido y persistir hasta el final. Paréntesis: Personalmente conocí a Jenni Rivera en el 2003 cuando iba a abordar un vuelo de Tijuana-Obregon. Me senté al final del "shutle" que nos llevaría al avión. Ella fue la ultima en subirse y se sentó a mi lado. Algunos de los viajeros la reconocieron y le pidieron autógrafos y permiso para tomarse fotos con ella. Yo no tenia ni la menor idea de quien se trataba ya que el genero de música que cantaba no la escucho. Cuando llegue a Cd. Obregon la reconocí en todos los anuncios que había por la ciudad anunciando su concierto en el palenque local. QEPD

0 of 0 people found the following review helpful.
TRAGIC! Depicts the lenghts that any Mother will go to defend her children.
By Rogelio Gittens
I laughed, cried, and was moved with compassion. I thoroughly enjoyed the frank and honest way that the novel is written, and the way that the tragic incidents were depicted. This novel will cause you to question our world, the reality of the incidents, and the fact that millions of single mothers, raising kids on their own are experiencing grave difficulties. The novel also depicts the LOVE that a Mother experiences for her Children, and the reason why SHE fights, and will do anything to see them get ahead. STRONG and POWERFUL. I will highly recommend this Book to Single Mothers, and those young girls, with uncertain futures- to NOT get PREGNANT- it is not a bed of Roses. Not every woman that bears a Child is a MOTHER, and Jenni Rivera, was indeed a Mother in every sense of the word; she fought- right up to the last breath of her life to defend her children. I will also highly recommend this book to young female Immigrants- having a Child will not GUARANTEE your Stay in the United States. THINK before you commit yourself to a life of struggle, and the possibility of abandoning your Child. Young Black girls- go to school- get an Education- YOU HAVE THE CHOICE- DO NOT ALLOW YOURSELF TO GET PREGNANT, at such a young age, and with an uncertain future.

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Sabtu, 14 Desember 2013

[B900.Ebook] Download Ebook Blood Red Sunset: A Memoir of the Chinese Cultural Revolution

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Blood Red Sunset: A Memoir of the Chinese Cultural Revolution

Will be shipped from US. Brand new copy.

  • Published on: 1900
  • Binding: Paperback

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Kamis, 05 Desember 2013

[D400.Ebook] PDF Download World Philosophies, by Ninian Smart

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World Philosophies, by Ninian Smart

World Philosophies is a comprehensive survey of the world's philosophical and religious traditions by one of our foremost religious thinkers. Ninian Smart discusses notable figures such as Plato and Kierkegaard in the West, the Buddha and Mao Zedong in Asia, Tempels and Knibanga in Africa, and Rodo and Royce in America. Covering a wide range of topics including Indian ideas of testimony and evidence, Chinese notions of moral development, Buddhist concepts of cosmology and Latin American critiques of materialism, Smart sheds new light on the astonishing diversity of philosophies that have developed throughout history.

  • Sales Rank: #2636490 in Books
  • Published on: 1999-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x 1.60" w x 6.90" l, 2.45 pounds
  • Binding: Hardcover
  • 454 pages

From Library Journal
Smart (The World's Religions, LJ 11/1/98) presents a narrative history arranged geographically. After an introductory outline chapter, the concepts that arose on the ancient subcontinent of India, in Chinese antiquity, and so on, are developed culture by culture and epoch by epoch. Smart weaves an explanation of religious developments among Hindus, Buddhists, Jews, Muslims, and Christians into nearly as thorough a tapestry as his presentation of secular thought. This seems wholly appropriate, given how religious ideas traditionally suffuse philosophical ones, but, in many cases, the author's interest in religious nuance downplays the distinction between religion and philosophy. Most troubling in this large and academic text is the complete lack of quotation and, too often, the absence of particular vocabulary developed by the philosophers and movements under discussion. The exhaustive chapter-by-chapter bibliographies range widely to include reference works, primary sources, and popular works. For academic collections.?Francisca Goldsmith, Berkeley P.L., CA
Copyright 1999 Reed Business Information, Inc.

Review
In a work of amazing breadth and cogency, the acknowledged master of the study of world civilization leads us through the philosophies that have guided some corners of humanity and today lay claim to a hearing everywhere. Ninian Smart has studied languages and histories, philosophies and literatures, east and west, north and south, and with panache and verve he introduces in a profound way worlds that, before our time have rarely collided. This is a masterpiece of lucid description, analysis, and interpretation of the ways people have made sense of things - choices that today face us all.
–Jacob Neusner, University of South Florida and Bard College

Ninian Smart is one of the few public religious intellectuals who can be compared to the late Joseph Campbell.
–Library Journal

I thought this was an excellent book. All the chapters are both interesting and of an equally high standard. There is a lot of interest in nowadays, especially in the US, in world philosophy...Ninian Smart is one of the best writers on the topic working today.
–Oliver Leaman, Liverpool John Moores University

Ninian Smart has once again brought his considerable skills--philosophy, phenomenology of religion, cross-cultural comparisons, and theology--to bear on a much needed compendium on philosophies of the world. And all the more urgent as we move towards a fecundation of global civilizations. It indeed is a garland woven out of the differing flowers of many traditions
.
–Purushottama Bilimoria, Editor of Sophia

As a work of reference, this will be invaluable. Smarts analysis of such crucial thinkers as Buddha, Confucius, Descartes and Derrida is impeccable.
–The Times

About the Author
Ninian Smart is J. F. Rowny Professor of Comparative Religions at the University of California, Santa Barbara. Among his many books are "Buddhism and Christianity: Rivals and Allies" (1993), "Choosing a Faith" (1995), and "The Religious Experience" (5th edition, 1996).

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18 of 20 people found the following review helpful.
The ideal coffee-table book for philosophers
By K. T. Ong
Unlike so many meretricious books which purport to be about philosophy but are actually limited to Western philosophy, Smart's book really takes on the philosophical traditions of well nigh the entire human race. It is incredible how any single scholar's mind could be so encyclopedic. From antiquity down to the present day, Indian, Chinese, Japanese, Islamic and even African philosophy are covered side by side with Western thought (which is subdivided into its Greek/Roman, European and North American camps), with no partiality being shown towards any tradition. Even 20th-century developments of the non-Western traditions are discussed. Due to the vast scope of this 454-page book, though, individual philosophers are necessarily and somewhat regrettably given only brief treatment (about one-and-a-half pages per thinker on average), the focus being on the larger picture of the development of ideas and of cultures. Still, it would probably be too much to ask for more from a single author, besides which as a compensation hardly a single important philosopher from any tradition has been left out (except Asanga and Vasubandhu from the Buddhist tradition) -- even the less well-known thinkers such as Feuerbach, Merleau-Ponty and Nishida Kitaro are included. (If only two or more authors could co-author this book, so that more could be written about each thinker.) Smart is always fair and sympathetic towards the different traditions as well: you don't find his language changing from cold, dry academic analysis when discussing, say, Africa, to glowing adulation and praise when looking at, say, the ancient Greeks (who else). And if the book appears to have strong religious leanings, hey, what do you expect, a lot of philosophy was and still is tied in to religious concerns. A small number of typographical errors can be found scattered throughout the book, and Smart also seemed to have some trouble with the proper Pinyin romanization of Chinese names and terms, but on the whole these faults are negligible. So all things said, if you simply want to wallow in the enormous wealth of human thought (and not just Western thought, please, for heaven's sake), this is the book.

8 of 8 people found the following review helpful.
Correcting last reviewer
By A Philosopher
I originally dismissed this book because of what the last reviewer had mentioned-- specifically that the author "mentions God twenty times per page." However, after examining this book at the local bookshop, I found this to be completely false. Smart gives a very sharp, though concise, rendering of the key concepts, ideas, and history of the world's rich philosophical traditions. In addition to Asian philosophies and Western philosophies, African and Latin American are also considered. While this book does suffer from lack of depth, it provides a rare source for the basic framework of most philosophical systems-- ancient, classical, and contemporary.

5 of 8 people found the following review helpful.
A delightful read
By Sreenivas K
"Philosophy" has suffered from a Western-only myopia and this delightful read is impressive for its breadth. Under one cover the quintessence of every significant philosophical development, both "Western" and "Eastern" is presented. A must read for further study. The paperback ... is very good value.

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Jumat, 29 November 2013

[N809.Ebook] PDF Download Cratinus and the Art of Comedy, by Emmanuela Bakola

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Cratinus and the Art of Comedy, by Emmanuela Bakola

Cratinus, one of the lost great poets of fifth-century Athenian comedy, had a formative influence on the comic genre, including Aristophanes himself. Using a methodologically innovative approach, Emmanuela Bakola studies the surviving fragments of Cratinus' plays and offers a thorough analysis of the multifaceted art of this poet and his place in the history of comedy. Issues which she addresses include the creation of a poetic personality within a performative
tradition of fierce interpoetic rivalry; the play at the boundaries of the comic genre and the interaction with satyr drama and tragedy, especially Aeschylus; stagecraft and dramaturgy; comic plot-construction and characterization; the author's reflection on his immediate political, social and
intellectual context. As well as providing insight into Cratinus, her book enriches our understanding of fifth-century Athenian comedy in a dynamic evolving environment.

  • Sales Rank: #3941989 in eBooks
  • Published on: 2009-12-17
  • Released on: 2009-12-17
  • Format: Kindle eBook

Review
Our understanding of Athenian "Old Comedy" is greatly enriched by Emmanuela Bakola's 'Cratinus and the Art of Comedy' ... this is an impressively rewarding study. Matthew Leigh, Times Literary Supplement This is a book about which all students of ancient comedy should be excited. Tom Hawkins, Classical Review

About the Author

Emmanuela Bakola is British Academy Postdoctoral Research Fellow, Department of Greek and Latin, University College London.

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Senin, 25 November 2013

[U346.Ebook] Ebook Free Desert Flower: The Extraordinary Journey of a Desert Nomad, by Waris Dirie, Cathleen Miller

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Desert Flower: The Extraordinary Journey of a Desert Nomad, by Waris Dirie, Cathleen Miller

Desert Flower: The Extraordinary Journey of a Desert Nomad, by Waris Dirie, Cathleen Miller



Desert Flower: The Extraordinary Journey of a Desert Nomad, by Waris Dirie, Cathleen Miller

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Desert Flower: The Extraordinary Journey of a Desert Nomad, by Waris Dirie, Cathleen Miller

Waris Dirie ran away from her oppressive life in the African desert when she was barely in her teens, illiterate and impoverished, with nothing to her name but a tattered shawl. She traveled alone across the dangerous Somali desert to Mogadishu—the first leg of a remarkable journey that would take her to London, where she worked as a house servant; then to nearly every corner of the globe as an internationally renowned fashion model; and ultimately to New York City, where she became a human rights ambassador for the U.N. Desert Flower is her extraordinary story.

  • Sales Rank: #82993 in Books
  • Brand: Dirie, Waris/ Miller, Cathleen
  • Published on: 2011-03-15
  • Released on: 2011-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .62" w x 6.13" l, .63 pounds
  • Binding: Paperback
  • 240 pages

Amazon.com Review
By age 6, Waris Dirie was herding her family's sheep and goats, fending off hyenas and wild dogs as the family carved a path through Africa. She was just twice that age when she ran off into the vast furnace of the Somali desert to escape an arranged marriage to a much older man. Traveling for days without food and water, she made her way to Mogadishu and later to London as a servant to her uncle, the Somalian ambassador. There she wrestled with culture shock and got her first taste of the modeling life that eventually brought her into the public eye. Dirie is resilient, having survived drought, hunger, and the ritual female genital mutilation that marks a step toward womanhood among some traditional Moslems but, argue critics, steals or ruins many girls' lives. "As we traveled throughout Somalia," says Dirie, "we met families and I played with their daughters. When we visited them again, the girls were missing. No one spoke the truth about their absence or even spoke of them at all." As a special ambassador to the United Nations, Dirie has spoken out loudly on this subject and championed environmental causes, too. How much of her sometimes breathless story is gospel truth and how much embellished is hard to say. Like Dirie herself, though, the combination is intriguing, powerful, and unique. --Francesca Coltrera

From Publishers Weekly
Joining the current rage for model memoirs (see review above) is Dirie, a native of Somalia, who has for more than a decade stalked the world's catwalks and appeared in numerous glossy magazines. This, however, is no fluff-job dictated into a tape recorder on transatlantic flights, then recomposed by a hired gun back in New York. Rather, it is a striking account of a personal odyssey that began in the Somali desert, where Dirie grew up without shoes, living amid nomadic tribes and tyrannized by patriarchal strictures. As a pubescent girl, Dirie was circumcised?a procedure described here in chilling detail?before escaping an arranged marriage to stay with an aunt in Mogadishu. Landing a job as a house servant in London, Dirie struggled to launch a modeling career while dodging British immigration authorities and the dreadful results of marriages of convenience. At the end of this affecting and at times very entertaining book, Dirie's metamorphosis from desert nomad into jetsetting nomad culminates in a post as a human rights ambassador to the UN, where, these days, Dirie campaigns for the eradication of female circumcision and women's rights around the globe. It's easy to forget that Dirie's memoir is a book about someone whose success has come from posing for the camera. Indeed, it is Dirie's remarkable lack of narcissism or entitlement that makes her so captivating a raconteur. Photos. Editor: Billy Kelly; agent: Christie Fletcher/Carol Mann Agency; author tour. (Sept.) FYI: Foreign rights have sold in 10 countries.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
As a special ambassador to the United Nations, Somalian supermodel Dirie speaks out against the custom of genital mutilation, a "barbaric rite" that she underwent at age five. In this memoir, she "provides a fascinating glimpse of her separate lives?camel herder, supermodel, human rights activist?and manages to weave threads of drama, humor, and courage into each."
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
EXTRORDINARY!
By LitChick
I did not recall buying this book. But today bored by the second novel in "The Complete Novels of Henry James" and it's depiction of antiquated London society and alternating reading Henry Miller's "Tropic of Capricorn," I looked through my Kindle Library for something else.

At first, I admit I was annoyed by the simplicity of the writing. I had a hard time picturing the life of a nomadic culture in Somalia. Then as the life of this courageous woman unfolded, I couldn't stop reading.

I had NO IDEA this was the model who brought the cultural ritual of Female Genital Mutilation to the attention of the world. Her bravery is astonishing. Waris's arguments why this practice should not continue anywhere and what she has revealed FGM to be at it's essence: a way to control women invented by men, to be found no where in the Qu'ran are among the most eloquent passages I have read any where in literature.

3 of 3 people found the following review helpful.
Desert Flower
By Mimi
This memoir begins with the childhood of Waris Dire. She is from a nomadic Somali family. At a young age she endures female genital mutilation. She is tied down to be cut and lives through horrific pain. She knows this is terribly wrong. She is left under a tree for shelter for a few days to heal.

Her young life in the desert continues with her siblings and parents, and taking care of the animals. In her early teens, her father arranges for her to marry an older man. Waris is very unhappy about this situation. With her mother's help, one morning she escapes alone. She walks through the desert. At some point, she awakes to find a lion staring at her. She is frightened but continues on to Mogadishu, where she will live with relatives.

In the city she asks questions of people to find her way, she is so young and men out there harass her and give her a hard time. She lives with relatives for awhile and then leaves with relatives to go to London. Once there, she works as a housemaid and in McDonalds.

She is soon discovered by a fashion photographer who takes an interest in her. She is a young, tall, slender, beautiful Somali woman, and she is invited to model. She becomes successful at this career and turns into a supermodel. She moves to New York City. She walks the runway in the top fashion shows in big cities around the world. She marries and has a son.

Waris Dire is a Human Rights Activist. She is a spokesperson for the UN against FGM. She is the Chief Executive of Desert Flower Foundation, an organization which provides education to protect girls against female genital mutilation.

0 of 0 people found the following review helpful.
A great autobiography
By D. C. Wornock
Co-authored with Cathleen Miller is an internationally best-selling American nonfiction writer, this is the autobiography of Waris Dirie, an international model or supermodel. The book is fascinating reading and except for a couple of very brief breaks, I could not put the book down until after I read it cover to cover. For those reasons I rated the book 5 stars.

However, even the book is basically non-fiction there are a few parts that appear to be fiction or at least embellished or exaggerated. That especially applies to parts about her description of a years long marriage to a man that in the book she couldn't avoid. For example, when her husband would fly to NYC to stay with her after someone from the agency gave him her address, I find it difficult to believe she couldn't let the owner of apartment return to his apartment for couple of day and tell her husband that he has the wrong address while she she stayed in a hotel.

Other parts, especially about her description of being subjected to and the after effects of female genital mutilation (FGM) seem so real it would would bring me to tears.

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